I am Clara Miranda, a UGC creator working across lifestyle, food and travel, making short vertical videos for brands that want their product shown by a real person instead of staged in a studio.
The thing that makes my work unusual is language. I film in English, French, Spanish, German and Portuguese. For a brand running the same campaign across several European markets, that is the difference between coordinating five creators and briefing one. It also removes the problem that makes localised content underperform: a video dubbed or subtitled from another language reads as translated, and viewers feel it even when they cannot say why. Each version I deliver is spoken naturally, with the rhythm and the small turns of phrase that belong to that language.
Lifestyle, food and travel sit well together because they share the same requirement. All three sell on desire rather than argument. Nobody is persuaded into a restaurant or a destination by a list of features. They are persuaded by watching someone genuinely enjoy it, filmed close enough that it looks like a place they could be standing in. So my work leans on real settings, natural light and an honest first reaction rather than a polished pitch.
What I deliver is vertical video built for a feed: a hook in the first two seconds, the product or place experienced rather than described, and a reason to stay until the end. I can shoot the same idea with several different openings when a brand wants to find out which one holds attention, which is usually the fastest way to learn something before committing media budget. Short demonstrations, unboxings, straight to camera pieces and problem and solution structures are all comfortable ground.
On how I like to work, the brief that gets the best result from me says what the content is for and where it will run, not only what it should say. Content aimed at a cold audience in a paid feed is a different object from content for a product page, and I make different choices in the first seconds depending on which one you need. Tell me the claims I am allowed to make and the ones I must avoid, and I will stay inside them. The wording, the pacing and the setting are better left to me, because over specifying is the fastest way to end up with something that looks like an advert.
My standard package is one video delivered within two days. If you need the same concept in more than one language, say so at the briefing stage rather than afterwards, because it changes how I shoot rather than just what I say. Send me the product and what you are trying to sell more of, and I will tell you honestly whether I am the right fit.